Hear Hawkeye’s Rogers: The Musical song, and how Marvel pulled it off

The Avengers are never far from their past, as Marvel fans were reminded in the first episode of the new Disney Plus series. Hawkeye. The episode features young Kate Bishop (Clara Stack) in 2012, when she sees Clint Barton, also known as Hawkeye (Jeremy Renner), heroically fighting one alien after another during the Battle of New York. Soon after, the episode moves to the modern-day MCU, where Clint Barton is still counting on Loki’s plot for global dominance from nearly a decade ago. He is forced to consider the events of the momentous day when he attends a performance of Rogers: The Musical.

Although the notices outside the theater promise that Rogers “Capture the Heart of a Hero”, the musical appears to be more of an ensemble work, featuring all of the Avengers in singing form. The Hulk likes to smash, Iron Man flies, and Captain America “can do this all day,” a call to The first avenger.

Written by Marc Shaiman and Scott Wittman, who have collaborated on other Broadway musical adaptations such as Hair spray and Catch Me If You Can, Rogers it’s the MCU’s latest attempt to recall past battles with a wink and a nod. A bit like the scene in Loki where the God of Mischief finds infinite stones to be used as paperweights, the foolishness of Rogers ask the audience if they can remember what all the fuss is about.

For the show’s characters, it brings back an ancient trauma. Clint stares at the smiling artists, at the surreal experience of seeing a packaged version of yourself. He lowers the sound of his hearing aid, tells his daughter that it was not like that and finally leaves in the middle of the performance, right after seeing a graffiti in the bathroom that says “Thanos was right”. It’s hard to see Hawkeye disagree with that statement right now.

The episode’s director, Rhys Thomas, tells Polygon that he came up with the idea to mount the worldwide musical adaptation of the Battle of New York when he was “trying to think of things that would upset Clint.” Once soundtrack fan and Marvel president Kevin Feigie said their goodbyes, the next question was what the tone could be. “You realize, like, oh, we’re doing an MCU musical in the MCU. So how good is it? How bad is it? It has to be absurd. So to find that line, which I feel is a line that I find myself constantly trying to walk: you have to take it seriously, but not seriously enough. “

This isn’t Thomas’s first attempt at a musical parody, either. One of the creative forces behind the drill. Documentary Now! series, he co-directed “Final Transmission,” the love parody of the Talking Heads concert film program Stop making sense.

Shaiman and Wittman told Marvel that they wrote their full song, titled “Save The City,” in the midst of the pandemic. Writing at a time when New York was under attack, they wanted to create a song that felt like when “people would go and hit pots and pans for hospital workers, first responders. Everything seemed to fit into the universe we were writing to. So the notion of ‘someone please save New York’ was the battle cry, “they said.

Rogers: The Musical recruited several scene veterans to carry out the production, including Adam Pascal and Ty Taylor as “Major New Yorkers”, Aaron Nedrick (“Musical Iron Man”), Avery Gillham (“Musical Hawkeye”), Harris Turner (“Musical Hulk “)”), Jason Scott MacDonald (“Musical Thor”), Meghan Manning (“Musical Black Widow”), Nico DeJesus (“Musical Ant-Man”), Tom Feeney (“Musical Captain America”) and Jordan Chin ( “Musical Loki”).

But the real secret weapon was Shaiman’s scam, Lou. Shaiman “It seemed like destiny for me to marry a man who was a total Marvel nerd,” she said. “So I would go with him like a good husband to go see all the movies, then we used to sit in the parking lot of the cinema and I would say what did I just see? How does all this work and who is who? And little by little I began to put all the pieces together. We were both lucky to have [my husband, because] he could just spit out whatever the words are, you know, ‘Tesseract’. I never knew Scott and I would write a song with the word ‘Tesseract’ in it. “

Of course, this isn’t Marvel’s first musical twist, either. IBy WandaVision “Agatha All Along” was a delicious viral hit. And not mentioned in Hawkeye is one of the most infamous musicals of all time: Spiderman: Turn off the darkness, the most expensive Broadway musical ever. Perhaps if Tom Holland keeps up with the character, he can bring his dance experience to the screen.

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