Gucci house it’s a below-average crime drama with all the starting indicators of a serious award contender. Ridley Scott directs a screenplay written by Becky Johnston and Roberto Bentivegna. A-list stars Lady Gaga and Adam Driver lead an impressive cast aiming for the stars, but audiences are left with an over-the-top drama that is entertaining yet deeply flawed.
The history of ‘House of Gucci’
Gucci house is based on a true story from 1978. Patrizia Reggiani (Gaga) has humble origins. He meets Maurizio Gucci (Driver) at a party and quickly chases him down. The couple falls in love and begins planning their future together. However, Maurizio’s father, Rodolfo (Jeremy Irons), suspects that she is only seeking the family fortune and does not approve of it.
Patrizia has unmatched ambitions for her future. His actions begin to unravel the powerful family from within. Aldo (Al Pacino) and Paolo Gucci (Jared Leto) aren’t ready to give up their power in the business, but fortune teller Pina Auriemma (Salma Hayek) continues to push Patrizia on her way to a future filled with power and wealth.
‘House of Gucci’ is a marital drama about deception and greed
Gucci house It starts out as a love story. Patrizia works for his family business, while Maurizio studies to be a lawyer. She chases after him and is determined to get his attention. He is willing to leave his family fortune to live a happy life with Patrizia. However, the honeymoon phase is short-lived. Patrizia pulls all possible strings so that Maurizio returns to the family and thus can get hold of the Gucci fortune.
This marriage drama increases the tension as the story progresses. Patrizia’s intensity becomes more and more overt, which bleeds into her marriage to Maurizio. He is at odds between his wife with whom he is losing patience and his family who is beginning to fall apart. The stakes in the drama eventually evolve from marital angst to real-life-based criminal intent.
Gucci houseThe subjects say a lot about social class. Patrizia is an Italian socialite who desperately wants to be part of the highest possible social class. However, Johnston and Bentivegna’s script provides clues such as Patrizia’s attempt to discuss art that draws the lines of social class. His desire for materialism surpasses anything else in his life, driving the twists and turns of the story.
The pros and cons of a Hollywood adaptation
Scott’s Gucci house it benefits from the greatness of a Hollywood production, like its striking technical qualities. Janty Yates’ costume design may not necessarily be the most literal, but it is visually beautiful. Dariusz Wolski’s cinematography is a bit muffled, pulling a lot of color out of the image. However, some bright colors of the costumes appear.
Unfortunately, Gucci house He also suffers from being part of the Hollywood machine. He is so exaggerated. Accents are particularly shaky. Gaga delves into a powerful performance, but her accent sounds more vaguely Russian than Italian. Leto delivers a particularly bad performance with an accent that best fits an audition reel for Luigi to Super Mario Bros.
There is no dull runtime moment here and the marital drama at the center of the story is constantly engaging. Nevertheless, Gucci house it is pure excess at the expense of its own narration. Scott’s direction fully owns the over-indulgence, but these characters are more caricatures than they feel like real people. Gucci house it steadily increases to 10 during its full 157-minute run time, leaving no room for peaks and valleys in its storytelling.
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